Chronological Plan

¹“The LORD has gifted Bezalel, Oholiab, and the other skilled craftsmen with wisdom and ability to perform any task involved in building the sanctuary. Let them construct and furnish the Tabernacle, just as the LORD has commanded.”

²So Moses summoned Bezalel and Oholiab and all the others who were specially gifted by the LORD and were eager to get to work.

³Moses gave them the materials donated by the people of Israel as sacred offerings for the completion of the sanctuary. But the people continued to bring additional gifts each morning.

⁴Finally the craftsmen who were working on the sanctuary left their work.

⁵They went to Moses and reported, “The people have given more than enough materials to complete the job the LORD has commanded us to do!”

⁶So Moses gave the command, and this message was sent throughout the camp: “Men and women, don’t prepare any more gifts for the sanctuary. We have enough!” So the people stopped bringing their sacred offerings.

⁷Their contributions were more than enough to complete the whole project.

⁸The skilled craftsmen made ten curtains of finely woven linen for the Tabernacle. Then Bezalel decorated the curtains with blue, purple, and scarlet thread and with skillfully embroidered cherubim.

⁹All ten curtains were exactly the same size — 42 feet long and 6 feet wide.

¹⁰Five of these curtains were joined together to make one long curtain, and the other five were joined to make a second long curtain.

¹¹He made fifty loops of blue yarn and put them along the edge of the last curtain in each set.

¹²The fifty loops along the edge of one curtain matched the fifty loops along the edge of the other curtain.

¹³Then he made fifty gold clasps and fastened the long curtains together with the clasps. In this way, the Tabernacle was made of one continuous piece.

¹⁴He made eleven curtains of goat-hair cloth to serve as a tent covering for the Tabernacle.

¹⁵These eleven curtains were all exactly the same size — 45 feet long and 6 feet wide.

¹⁶Bezalel joined five of these curtains together to make one long curtain, and the other six were joined to make a second long curtain.

¹⁷He made fifty loops for the edge of each large curtain.

¹⁸He also made fifty bronze clasps to fasten the long curtains together. In this way, the tent covering was made of one continuous piece.

¹⁹He completed the tent covering with a layer of tanned ram skins and a layer of fine goatskin leather.

²⁰For the framework of the Tabernacle, Bezalel constructed frames of acacia wood.

²¹Each frame was 15 feet high and 27 inches wide,

²²with two pegs under each frame. All the frames were identical.

²³He made twenty of these frames to support the curtains on the south side of the Tabernacle.

²⁴He also made forty silver bases — two bases under each frame, with the pegs fitting securely into the bases.

²⁵For the north side of the Tabernacle, he made another twenty frames,

²⁶with their forty silver bases, two bases under each frame.

²⁷He made six frames for the rear — the west side of the Tabernacle —

²⁸along with two additional frames to reinforce the rear corners of the Tabernacle.

²⁹These corner frames were matched at the bottom and firmly attached at the top with a single ring, forming a single corner unit. Both of these corner units were made the same way.

³⁰So there were eight frames at the rear of the Tabernacle, set in sixteen silver bases — two bases under each frame.

³¹Then he made crossbars of acacia wood to link the frames, five crossbars for the north side of the Tabernacle

³²and five for the south side. He also made five crossbars for the rear of the Tabernacle, which faced west.

³³He made the middle crossbar to attach halfway up the frames; it ran all the way from one end of the Tabernacle to the other.

³⁴He overlaid the frames with gold and made gold rings to hold the crossbars. Then he overlaid the crossbars with gold as well.

³⁵For the inside of the Tabernacle, Bezalel made a special curtain of finely woven linen. He decorated it with blue, purple, and scarlet thread and with skillfully embroidered cherubim.

³⁶For the curtain, he made four posts of acacia wood and four gold hooks. He overlaid the posts with gold and set them in four silver bases.

³⁷Then he made another curtain for the entrance to the sacred tent. He made it of finely woven linen and embroidered it with exquisite designs using blue, purple, and scarlet thread.

³⁸This curtain was hung on gold hooks attached to five posts. The posts with their decorated tops and hooks were overlaid with gold, and the five bases were cast from bronze.

¹Next Bezalel made the Ark of acacia wood — a sacred chest 45 inches long, 27 inches wide, and 27 inches high.

²He overlaid it inside and outside with pure gold, and he ran a molding of gold all around it.

³He cast four gold rings and attached them to its four feet, two rings on each side.

⁴Then he made poles from acacia wood and overlaid them with gold.

⁵He inserted the poles into the rings at the sides of the Ark to carry it.

⁶Then he made the Ark’s cover — the place of atonement — from pure gold. It was 45 inches long and 27 inches wide.

⁷He made two cherubim from hammered gold and placed them on the two ends of the atonement cover.

⁸He molded the cherubim on each end of the atonement cover, making it all of one piece of gold.

⁹The cherubim faced each other and looked down on the atonement cover. With their wings spread above it, they protected it.

¹⁰Then Bezalel made the table of acacia wood, 36 inches long, 18 inches wide, and 27 inches high.

¹¹He overlaid it with pure gold and ran a gold molding around the edge.

¹²He decorated it with a 3-inch border all around, and he ran a gold molding along the border.

¹³Then he cast four gold rings for the table and attached them at the four corners next to the four legs.

¹⁴The rings were attached near the border to hold the poles that were used to carry the table.

¹⁵He made these poles from acacia wood and overlaid them with gold.

¹⁶Then he made special containers of pure gold for the table — bowls, ladles, jars, and pitchers — to be used in pouring out liquid offerings.

¹⁷Then Bezalel made the lampstand of pure, hammered gold. He made the entire lampstand and its decorations of one piece — the base, center stem, lamp cups, buds, and petals.

¹⁸The lampstand had six branches going out from the center stem, three on each side.

¹⁹Each of the six branches had three lamp cups shaped like almond blossoms, complete with buds and petals.

²⁰The center stem of the lampstand was crafted with four lamp cups shaped like almond blossoms, complete with buds and petals.

²¹There was an almond bud beneath each pair of branches where the six branches extended from the center stem, all made of one piece.

²²The almond buds and branches were all of one piece with the center stem, and they were hammered from pure gold.

²³He also made seven lamps for the lampstand, lamp snuffers, and trays, all of pure gold.

²⁴The entire lampstand, along with its accessories, was made from 75 pounds of pure gold.

²⁵Then Bezalel made the incense altar of acacia wood. It was 18 inches square and 36 inches high, with horns at the corners carved from the same piece of wood as the altar itself.

²⁶He overlaid the top, sides, and horns of the altar with pure gold, and he ran a gold molding around the entire altar.

²⁷He made two gold rings and attached them on opposite sides of the altar below the gold molding to hold the carrying poles.

²⁸He made the poles of acacia wood and overlaid them with gold.

²⁹Then he made the sacred anointing oil and the fragrant incense, using the techniques of a skilled incense maker.

¹Next Bezalel used acacia wood to construct the square altar of burnt offering. It was 7 1⁄2 feet wide, 7 1⁄2 feet long, and 4 1⁄2 feet high.

²He made horns for each of its four corners so that the horns and altar were all one piece. He overlaid the altar with bronze.

³Then he made all the altar utensils of bronze — the ash buckets, shovels, basins, meat forks, and firepans.

⁴Next he made a bronze grating and installed it halfway down the side of the altar, under the ledge.

⁵He cast four rings and attached them to the corners of the bronze grating to hold the carrying poles.

⁶He made the poles from acacia wood and overlaid them with bronze.

⁷He inserted the poles through the rings on the sides of the altar. The altar was hollow and was made from planks.

⁸Bezalel made the bronze washbasin and its bronze stand from bronze mirrors donated by the women who served at the entrance of the Tabernacle.

⁹Then Bezalel made the courtyard, which was enclosed with curtains made of finely woven linen. On the south side the curtains were 150 feet long.

¹⁰They were held up by twenty posts set securely in twenty bronze bases. He hung the curtains with silver hooks and rings.

¹¹He made a similar set of curtains for the north side — 150 feet of curtains held up by twenty posts set securely in bronze bases. He hung the curtains with silver hooks and rings.

¹²The curtains on the west end of the courtyard were 75 feet long, hung with silver hooks and rings and supported by ten posts set into ten bases.

¹³The east end, the front, was also 75 feet long.

¹⁴The courtyard entrance was on the east end, flanked by two curtains. The curtain on the right side was 22 1⁄2 feet long and was supported by three posts set into three bases.

¹⁵The curtain on the left side was also 22 1⁄2 feet long and was supported by three posts set into three bases.

¹⁶All the curtains used in the courtyard were made of finely woven linen.

¹⁷Each post had a bronze base, and all the hooks and rings were silver. The tops of the posts of the courtyard were overlaid with silver, and the rings to hold up the curtains were made of silver.

¹⁸He made the curtain for the entrance to the courtyard of finely woven linen, and he decorated it with beautiful embroidery in blue, purple, and scarlet thread. It was 30 feet long, and its height was 7 1⁄2 feet, just like the curtains of the courtyard walls.

¹⁹It was supported by four posts, each set securely in its own bronze base. The tops of the posts were overlaid with silver, and the hooks and rings were also made of silver.

²⁰All the tent pegs used in the Tabernacle and courtyard were made of bronze.

²¹This is an inventory of the materials used in building the Tabernacle of the Covenant. The Levites compiled the figures, as Moses directed, and Ithamar son of Aaron the priest served as recorder.

²²Bezalel son of Uri, grandson of Hur, of the tribe of Judah, made everything just as the LORD had commanded Moses.

²³He was assisted by Oholiab son of Ahisamach, of the tribe of Dan, a craftsman expert at engraving, designing, and embroidering with blue, purple, and scarlet thread on fine linen cloth.

²⁴The people brought special offerings of gold totaling 2,193 pounds, as measured by the weight of the sanctuary shekel. This gold was used throughout the Tabernacle.

²⁵The whole community of Israel gave 7,545 pounds of silver, as measured by the weight of the sanctuary shekel.

²⁶This silver came from the tax collected from each man registered in the census. (The tax is one beka, which is half a shekel, based on the sanctuary shekel.) The tax was collected from 603,550 men who had reached their twentieth birthday.

²⁷The hundred bases for the frames of the sanctuary walls and for the posts supporting the inner curtain required 7,500 pounds of silver, about 75 pounds for each base.

²⁸The remaining 45 pounds of silver was used to make the hooks and rings and to overlay the tops of the posts.

²⁹The people also brought as special offerings 5,310 pounds of bronze,

³⁰which was used for casting the bases for the posts at the entrance to the Tabernacle, and for the bronze altar with its bronze grating and all the altar utensils.

³¹Bronze was also used to make the bases for the posts that supported the curtains around the courtyard, the bases for the curtain at the entrance of the courtyard, and all the tent pegs for the Tabernacle and the courtyard.